Shakespe aran tragedies r bely contain blameless characters. The characters whose lives get turned whirligig down usually either deserve it, or they instanter contri furthered to their dip by holding onto some flaw or vice. This is ceaselessly true for his tragic heroes, except what virtually his pocket-size characters? They usually suffer just as much as the chief(prenominal) characters. They usually exhibit character flaws. The difference is that they argon rarely responsible for their own downfall; their circumstances watch about from things outside of their control. Othellos Michael Cassio is an example of such a character. He is shown as a good man with minor flaws whose vile is orchestrate by people and events that he has no register over. Cassio is a character with many strengths and very minor faults. He is presented as a man who is loyal, trustworthy, respectful and good natured. His homage and recognise for Othello are illustrated many times over. In the number mavin of Act II, he is shown as fraught with worry for Othellos safety. A gentleman remarks he speaks of comfort touching the Turkish detriment, unless he looks sadly and prays the Moor be safe.
(II, 1, 30-32) When he is demoted for fighting, he does non mourn his state for selfish reasons like the loss of his prestige, alone because it has tarnished his reputation and has caused a rift between himself and Othello. In contrast, his flaws are minor indeed. It can only be said of him that he is flirtatious, sleeps with a prostitute and cannot hold his drink. What is telling, is that these flaws a re lesser versions of truly tragic flaws. ! It isnt said that he sleeps with other mens wives, he is simply familiar and friendly with them. He sleeps with a prostitute, Bianca, yes, but he isnt shown... If you want to get a full essay, joint it on our website:
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